​しゃにむにの先 / Beyond one's wildest dreams

筒状になっている作品の内部は、芯材を使わず、布の粗密による圧縮を生かし、表面の凹凸を縫製だけで竜巻の様に地面から沸き立ってくる作品をイメージしました。

吊ったことでかかる布本体の重力で、表面の立体感の緩急が可能になり、コントロールされていた立体感ではなく、自然な絞りの向きや流動的な全体観を回って鑑賞するため、立体感や奥行きを感じることが出来ます。

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The interior of the tubular work does not use a core material, but makes use of the compression caused by the coarseness and density of the cloth, and I imagined a work that boils up from the ground like a tornado just by sewing the unevenness of the surface.
The gravity of the cloth itself, which is applied by the hanging of the work, makes possible a slow and rapid three-dimensionality of the surface, which allows the viewer to turn and appreciate the natural direction of the aperture and the fluid overall view, rather than the controlled three-dimensionality, and to feel a sense of depth.